Raphael paintings
Sally Swatland paintings
Steve Hanks paintings
questionable,he unquestionably had none at all. Too late then to shoot; the doors clicked shut and I was lofting.
Though I dreaded what I'd find of Eblis Eierkopf, I was prepared this time for the din and spectacle of the Clockworks. But when the lift stopped, all was silence. The gears, large and small, were still; the awful pendulum hung fast before my nose, perpendicular between Tick and Tock. Round about was a strew of papers, eggshells, calipers, and lenses: the birdlimed, dusty ruins, I feared, of oölogical research. High in the center of the works, struck face-on by the rising sun, sat Dr. Eierkopf -- dead or alive, I could not at once tell, but at least not quite a skeleton. He was perched -- one might even say poised -- on the escapement, just under the butt of the weathervane-shaft: one shriveled leg hung on either side of the knife-edged pivot, and the crown of his head thrust up into a smallish bell, as far as to his browless eyebrows. Had he been planted there by Croaker, or climbed there to escape him? His lab-coat and spectacles were smeared with droppings of the blackbirds
Monday, September 8, 2008
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment