Morisot Boats on the Seine painting

Morisot Boats on the Seine painting
abstract 91152 painting
Leighton Leighton Idyll painting
Monet The Red Boats painting
the crowd and the fire a girl was dancing, but whether she was a human being, a sprite, or an angel, was what Gringoire—sceptical philosopher, ironical poet though he might be—was unable for the moment to determine, so dazzled was he by the fascinating vision.
She was not tall, but her slender and elastic figure made her appear so. Her skin was brown, but one guessed that by day it would have the warm golden tint of the Andalusian and Roman women. Her small foot too, so perfectly at ease in its narrow, graceful shoe, was quite Andalusian. She was dancing, pirouetting, whirling on an old Persian carpet spread carelessly on the ground, and each time her radiant face passed before you, you caught the flash of her great dark eyes.
The crowd stood round her open-mouthed, every eye fixed upon her, and in truth, as she danced thus to the drumming of a tambourine held