Steve Hanks Comfort in Solitude painting
William Bouguereau The Virgin with Angels painting
It would be dreadful, Charlotta," said Anne firmly, "so just you come away with me out of the reach of temptation."
"I can't do anything, and it's awful to hang round just waiting," sighed Charlotta. "What if he don't propose after all, Miss Shirley, ma'am? You can never be sure of them men. My older sister, Charlotta the First, thought she was engaged to one once. But it turned out he had a different opinion and she says she'll never trust one of them again. And I heard of another case where a man thought he wanted one girl awful bad when it was really her sister he wanted all the time. When a man don't know his own mind, Miss Shirley, ma'am, how's a poor woman going to be sure of it?"
"We'll go to the kitchen and clean the silver spoons," said Anne. "That's a task which won't require much thinking fortunately. . . for I couldn't think tonight. And it will pass the time."
It passed an hour. Then, just as Anne laid down the last shining spoon, they heard the front door
Thursday, July 3, 2008
Eugene de Blaas In the Water painting
Eugene de Blaas In the Water painting
Pablo Picasso The Old Guitarist painting
seemed to walk in an atmosphere of things about to happen.
As they picked, Charlotta the Fourth confided to Anne her fears regarding Miss Lavendar. The warm-hearted little handmaiden was honestly worried over her adored mistress' condition.
"Miss Lavendar isn't well, Miss Shirley, ma'am. I'm sure she isn't, though she never complains. She hasn't seemed like herself this long while, ma'am. . .not since that day you and Paul were here together before. I feel sure she caught cold that night, ma'am. After you and him had gone she went out and walked in the garden for long after dark with nothing but a little shawl on her. There was a lot of snow on the walks and I feel sure she got a chill, ma'am. Ever since then I've noticed her acting tired and lonesome like. She don't seem to take an interest in anything, ma'am. She never pretends company's coming, nor fixes up for it, nor nothing, ma'am. It's only when you come she seems to chirk up a bit. And the worst sign of all, Miss Shirley, ma'am. . ." Charlotta the Fourth lowered her voice as if she were about to tell some exceedingly weird and awful
Pablo Picasso The Old Guitarist painting
seemed to walk in an atmosphere of things about to happen.
As they picked, Charlotta the Fourth confided to Anne her fears regarding Miss Lavendar. The warm-hearted little handmaiden was honestly worried over her adored mistress' condition.
"Miss Lavendar isn't well, Miss Shirley, ma'am. I'm sure she isn't, though she never complains. She hasn't seemed like herself this long while, ma'am. . .not since that day you and Paul were here together before. I feel sure she caught cold that night, ma'am. After you and him had gone she went out and walked in the garden for long after dark with nothing but a little shawl on her. There was a lot of snow on the walks and I feel sure she got a chill, ma'am. Ever since then I've noticed her acting tired and lonesome like. She don't seem to take an interest in anything, ma'am. She never pretends company's coming, nor fixes up for it, nor nothing, ma'am. It's only when you come she seems to chirk up a bit. And the worst sign of all, Miss Shirley, ma'am. . ." Charlotta the Fourth lowered her voice as if she were about to tell some exceedingly weird and awful
Wednesday, July 2, 2008
Claude Lorrain paintings
Claude Lorrain paintings
Claude Monet paintings
cushions on the window seat, "but father's hair is gray. He has lots of it, but it is gray. You see, father is nearly fifty. That's ripe old age, isn't it? But it's only outside he's old. Inside he's just as young as anybody. Now, teacher, please sit here; and I'll sit at your feet. May I lay my head against your knee? That's the way my little mother and I used to sit. Oh, this is real splendid, I think."
"Now, I want to hear those thoughts which Mary Joe pronounces so queer," said Anne, patting the mop of curls at her side. Paul never needed any coaxing to tell his thoughts. . .at least, to congenial souls.
"I thought them out in the fir grove one night," he said dreamily. "Of course I didn't believe them but I thought them. You know, teacher. And then I wanted to tell them to somebody and there was nobody but Mary Joe. Mary Joe was in the pantry setting bread and I sat down on
Claude Monet paintings
cushions on the window seat, "but father's hair is gray. He has lots of it, but it is gray. You see, father is nearly fifty. That's ripe old age, isn't it? But it's only outside he's old. Inside he's just as young as anybody. Now, teacher, please sit here; and I'll sit at your feet. May I lay my head against your knee? That's the way my little mother and I used to sit. Oh, this is real splendid, I think."
"Now, I want to hear those thoughts which Mary Joe pronounces so queer," said Anne, patting the mop of curls at her side. Paul never needed any coaxing to tell his thoughts. . .at least, to congenial souls.
"I thought them out in the fir grove one night," he said dreamily. "Of course I didn't believe them but I thought them. You know, teacher. And then I wanted to tell them to somebody and there was nobody but Mary Joe. Mary Joe was in the pantry setting bread and I sat down on
Julien Dupre paintings
Julien Dupre paintings
Julius LeBlanc Stewart paintings
Barry was an old friend of Anne's, and she promply sent the platter out, with a letter exhorting Anne to be very careful of it, for she had paid twenty dollars for it. The platter had served its purpose at the Aid bazaar and had then been returned to the Green Gables closet, for Anne would not trust anybody but herself to take it back to town.
She carried the platter carefully to the front door where her guests were enjoying the cool breeze that blew up from the brook. It was examined and admired; then, just as Anne had taken it back into her own hands, a terrific crash and clatter sounded from the kitchen pantry. Marilla, Diana, and Anne fled out, the latter pausing only long enough to set the precious platter hastily down on the second step of the stairs.
Julius LeBlanc Stewart paintings
Barry was an old friend of Anne's, and she promply sent the platter out, with a letter exhorting Anne to be very careful of it, for she had paid twenty dollars for it. The platter had served its purpose at the Aid bazaar and had then been returned to the Green Gables closet, for Anne would not trust anybody but herself to take it back to town.
She carried the platter carefully to the front door where her guests were enjoying the cool breeze that blew up from the brook. It was examined and admired; then, just as Anne had taken it back into her own hands, a terrific crash and clatter sounded from the kitchen pantry. Marilla, Diana, and Anne fled out, the latter pausing only long enough to set the precious platter hastily down on the second step of the stairs.
Jeffrey T.Larson paintings
Jeffrey T.Larson paintings
Jean-Paul Laurens paintings
dressed herself and the twins, and looked more excited than she had ever been known to look before. At half past twelve the Allans and Miss Stacy came. Everything was going well but Anne was beginning to feel nervous. It was surely time for Priscilla and Mrs. Morgan to arrive. She made frequent trips to the gate and looked as anxiously down the lane as ever her namesake in the Bluebeard story peered from the tower casement.
"Suppose they don't come at all?" she said piteously.
"Don't suppose it. It would be too mean," said Diana, who, however, was beginning to have uncomfortable misgivings on the subject.
"Anne," said Marilla, coming out from the parlor, "Miss Stacy wants to see Miss Barry's willowware platter."
Anne hastened to the sitting room closet to get the platter. She had, in accordance with her promise to Mrs. Lynde, written to Miss Barry of Charlottetown, asking for the loan of it.
Jean-Paul Laurens paintings
dressed herself and the twins, and looked more excited than she had ever been known to look before. At half past twelve the Allans and Miss Stacy came. Everything was going well but Anne was beginning to feel nervous. It was surely time for Priscilla and Mrs. Morgan to arrive. She made frequent trips to the gate and looked as anxiously down the lane as ever her namesake in the Bluebeard story peered from the tower casement.
"Suppose they don't come at all?" she said piteously.
"Don't suppose it. It would be too mean," said Diana, who, however, was beginning to have uncomfortable misgivings on the subject.
"Anne," said Marilla, coming out from the parlor, "Miss Stacy wants to see Miss Barry's willowware platter."
Anne hastened to the sitting room closet to get the platter. She had, in accordance with her promise to Mrs. Lynde, written to Miss Barry of Charlottetown, asking for the loan of it.
Tuesday, July 1, 2008
Gustav Klimt lady with fan painting
Gustav Klimt lady with fan painting
Douglas Hofmann midnight blue painting
bridge in Lynde's Hollow and along the Green Gables lane. Marilla's face was rather grim. It was ten miles from East Grafton and Davy Keith seemed to be possessed with a passion for perpetual motion. It was beyond Marilla's power to make him sit still and she had been in an agony the whole way lest he fall over the back of the wagon and break his neck, or tumble over the dashboard under the pony's heels. In despair she finally threatened to whip him soundly when she got him home. Whereupon Davy climbed into her lap, regardless of the reins, flung his chubby arms about her neck and gave her a bear-like hug.
"I don't believe you mean it," he said, smacking her wrinkled cheek affectionately. "You don't look like a lady who'd whip a little boy just 'cause he couldn't keep still. Didn't you find it awful hard to keep still when you was only 's old as me?"
"No, I always kept still when I was told," said Marilla, trying to speak sternly, albeit she felt her heart waxing soft within her under Davy's impulsive caresses.
Douglas Hofmann midnight blue painting
bridge in Lynde's Hollow and along the Green Gables lane. Marilla's face was rather grim. It was ten miles from East Grafton and Davy Keith seemed to be possessed with a passion for perpetual motion. It was beyond Marilla's power to make him sit still and she had been in an agony the whole way lest he fall over the back of the wagon and break his neck, or tumble over the dashboard under the pony's heels. In despair she finally threatened to whip him soundly when she got him home. Whereupon Davy climbed into her lap, regardless of the reins, flung his chubby arms about her neck and gave her a bear-like hug.
"I don't believe you mean it," he said, smacking her wrinkled cheek affectionately. "You don't look like a lady who'd whip a little boy just 'cause he couldn't keep still. Didn't you find it awful hard to keep still when you was only 's old as me?"
"No, I always kept still when I was told," said Marilla, trying to speak sternly, albeit she felt her heart waxing soft within her under Davy's impulsive caresses.
William Bouguereau The Nymphaeum painting
William Bouguereau The Nymphaeum painting
Yvonne Jeanette Karlsen sisters painting
I'll try to," gasped Anne, choking back a wild desire to laugh. "I know by experience that it's very unpleasant to have one's name spelled wrong and I suppose it must be even worse to have it pronounced wrong."
"Certainly it is. And Clarice Almira also informed me that you call my son Jacob."
"He told me his name was Jacob," protested Anne.
"I might well have expected that," said Mrs. H. B. Donnell, in a tone which implied that gratitude in children was not to be looked for in this degenerate age. "That boy has such plebeian tastes, Miss Shirley. When he was born I wanted to call him St. Clair . . .it sounds so aristocratic, doesn't it? But his father insisted he should be called Jacob after his uncle. I yielded, because Uncle Jacob was a rich old bachelor. And what do you think, Miss Shirley? When our innocent boy was five years old Uncle Jacob actually went and got married and now he has three boys of his own. Did you ever hear of such ingratitude? The moment the invitation to the wedding. . .for he had the impertinence to send us an invitation, Miss Shirley. . .came to the house I said, `No more Jacobs for me, thank you.' From that day I called my son St. Clair and St
Yvonne Jeanette Karlsen sisters painting
I'll try to," gasped Anne, choking back a wild desire to laugh. "I know by experience that it's very unpleasant to have one's name spelled wrong and I suppose it must be even worse to have it pronounced wrong."
"Certainly it is. And Clarice Almira also informed me that you call my son Jacob."
"He told me his name was Jacob," protested Anne.
"I might well have expected that," said Mrs. H. B. Donnell, in a tone which implied that gratitude in children was not to be looked for in this degenerate age. "That boy has such plebeian tastes, Miss Shirley. When he was born I wanted to call him St. Clair . . .it sounds so aristocratic, doesn't it? But his father insisted he should be called Jacob after his uncle. I yielded, because Uncle Jacob was a rich old bachelor. And what do you think, Miss Shirley? When our innocent boy was five years old Uncle Jacob actually went and got married and now he has three boys of his own. Did you ever hear of such ingratitude? The moment the invitation to the wedding. . .for he had the impertinence to send us an invitation, Miss Shirley. . .came to the house I said, `No more Jacobs for me, thank you.' From that day I called my son St. Clair and St
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